ZHANG Jinxian 张谨贤 Chinois, 1988
Auspicious Lotus-1 瑞荷图-1 , 2019
Ink, mineral pigment on rice paper
72 x 137 cm
28 3/8 x 54 in
28 3/8 x 54 in
Unique piece
White wood frame
• Free Worldwide Art Shipping (DDU)
• Professional Art Packing
• Full Insurance & Gallery Guarantee
• Certificate of Authenticity by Artist & Gallery
• Enquire a Welcome Offer for your 1st Collection
• Free Worldwide Art Shipping (DDU)
• Professional Art Packing
• Full Insurance & Gallery Guarantee
• Certificate of Authenticity by Artist & Gallery
• Enquire a Welcome Offer for your 1st Collection
Séries: Lotus
Currency:
Plus d'images
The refreshing water in the midsummer is a metaphor of trouble. The lotus color is extraordinary and refined. The snowy mountains in the background are ethereal and magnificent, implying the...
The refreshing water in the midsummer is a metaphor of trouble.
The lotus color is extraordinary and refined.
The snowy mountains in the background are ethereal and magnificent, implying the highest and tranquil spiritual realm reached after enlightenment.
In the midst of holding a quiet body, the lotus show the four virtues of Nirvana: constancy, happiness, me, and purity.
Zhang Jinxian simultaneously and magically displayed the
traditional brushwork, natural objects and the abstract spiritual realm he
pursued on a same rice paper. It seems to sway freely, with a sense of
imagination, but created with scenery. Smooth strokes is without
unintentional carving, However, a kind
of quiet and indecent power is revealed in the natural flow.
The lotus color is extraordinary and refined.
The snowy mountains in the background are ethereal and magnificent, implying the highest and tranquil spiritual realm reached after enlightenment.
In the midst of holding a quiet body, the lotus show the four virtues of Nirvana: constancy, happiness, me, and purity.
Zhang Jinxian simultaneously and magically displayed the
traditional brushwork, natural objects and the abstract spiritual realm he
pursued on a same rice paper. It seems to sway freely, with a sense of
imagination, but created with scenery. Smooth strokes is without
unintentional carving, However, a kind
of quiet and indecent power is revealed in the natural flow.
Expositions
Jun-Aug 2021: "Timeless" exhibition, Art Thema HéYī gallery, BrusselsMar 2022: Brussels Affordable Art Fair, Tour & Taxi, Brussels
Literature
The Buddhist family used the lotus to describe the Buddha.The lotus leaves out of the mud without staining, the soul in the red dust is aloof.
The coexistence of the lotus flower, fruit, seed, just like the Buddha‘s “Fa, Bao, Ying” three bodies.
The lotus root is as white as jade, like the Fa body is uncoloured.
The stem of the lotus is straight through, like the five-passer in the sky.
The lotus leaves do not stay dripping, like the bodhisattva is not afraid of evil.
The lotus flower does not branch, like the buddha nature is unhindered.