ZHANG Jinxian 张谨贤, Miscellaneous Flower 杂花图 , 2019 | Ink on Paper

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Ink on rice paper
Black wood frame

97 x 49 cm
38 1/4 x 19 1/4 in

Unique piece

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This artwork is purely abstract expression and a taste of ink experiments by Zhang Jinxian. 'Overall focus, and partially star t' is the creative method and the order of painting,...

This artwork is purely abstract expression and a taste of
ink
experiments by Zhang Jinxian.
"Overall focus, and partially start" is the creative
method and the order of painting, which contains the necessary grasp of the
whole picture and the appropriate use of detailed accidental effects.

Every attempt has unknowable factors in it, and every occasional effect will trigger a new feeling and drawing impulse interactively. In many cases, the ecstasy that coincides with chance and law will make the artist want to make it inevitable, so that. Zhang Jinxian turns the random traces of chance into a controllable inevitable study process, and continue to discover, summarize, and express in this. In the process, The artist is constantly seeking our new balance and perfection.

The inevitability controls the whole painting, but the
characteristics of the raw rice paper that melts in water and the passion of
expression make the Chinese painting "chattered" many accidents. From
the moment the brush and paper touched, the direction of the brush, the dryness
of the brush, and all other influencing factors such as reversal, strength, and
length of time the brush stays on the rice paper, the dryness and the density
of the ink, unknowable contingency occur from time to time.

Expositions

April-May 2021: "BLOOMING" Exhibition, Art Thema • HéYī Gallery, Brussels

Literature

This artwork is purely abstract expression and a taste of ink experiments.

"Overall focus, and partially start" is the creative method and the order of painting, which contains the necessary grasp of the whole picture and the appropriate use of detailed accidental effects.

ZHANG Jinxian 张谨贤 Chinois, 1988

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ZHANG Jinxian 张谨贤 Chinois, 1988

Expositions

Literature