Paola GRIZI Italienne, 1968
Cubic
Bronze
30 x 30 x 30 cm
11 3/4 x 11 3/4 x 11 3/4 in
11 3/4 x 11 3/4 x 11 3/4 in
Edition #1/8, 8 plus 4 artist's proofs
Available upon order
Soon Exhibit in 20th Art Fair in Brussels (05.2022)
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Soon Exhibit in 20th Art Fair in Brussels (05.2022)
• Free Worldwide Art Shipping (DDU)
• Professional Art Packing
• Full Insurance & Gallery Guarantee
• Certificate of Authenticity by Artist & Gallery
• Enquire a Welcome Offer for your 1st Collection
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Cubic has a structure that differs from other works. It consists in thin sheets that together form an irregular solid, in which there are some splitted figurative elements: at the...
Cubic has a structure that differs from other works.
It consists in thin sheets that together form an irregular solid, in which there are some splitted figurative elements:
at the bottom a nose and a mouth, an ear at the top and an eye at the left .
The sheets are smooth and square, some very tiny, others more extended, as in an asymmetrical house of cards that the artist had fun composing.
The game then stopped, leaving the pieces in a peculiar assembly
Expositions
July-August: "Timeless", group exhibition, Art Thema HéYī gallery, Brussels, BelgiumNov-Oct 2021: "FACE & PAPER" Exhibition, Art Thema • HéYī Gallery, Brussels
Apr 2022: London Art Fair, England
May 2022: 20th Art Fair, Brussels, Belgium
Literature
"The idea of dividing the representation of the face on two different open pages, placing the nose and mouth on the left and one eye on the right, is typical of Picasso, who on the behalf of two-dimensional paintings makes four-dimensional representation including space and time. In other words, the decomposition of the face can be seen as the possibility to look at different perspectives, depending on the moment of a theoretical vision of the opera. Similarly, Paola Grizi’s sculpture is a face expressed in different moments, also suggesting a deep reflection on the ego, torn by the modern society... Many pages, but one book, many profiles but a single face. "- Stefano Colonna Ph.D. Professor of Museology and Art Critics At Rome University “La Sapienza” (Italy)