Sophie Verger French, 1953
Waterproof for garden
bronze socle: 24 x 24 x 3 cm
43 3/4 x 9 x 9 7/8 in
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Further images
These three balancing bears complicated their act by juggling balloons. They are very focused because as in life they depend on each other not to fall the red of the balloons contrasts with a rich brown patina.
I asked my young intern, Jackob, to write a few lines on this sculpture. Here they are :
In front of these three bears, we feel like we are part of a circus audience. We feel the desire to impress ourselves with their incredible performance, but also the fear of disappointing their spectators. We then want to reassure our three little jugglers.
Sophie Verger is a fairy who knows how to transform an emotion into an animal, a sensation, a felling in a recollected memory. She also suggests to us with a lot of humor a lovable identification with the animal model and beyond this observation the fact that in all her work, the child alone has its place with her, spontaneously capable of including the existence of the animal in her own fundamental values.
Sophie Verger combines anthropomorphic beings with human characters, and she mixes the human and the animal world in surprising ways. Through these mutations, her universe becomes moving, unstable, something is falling apart and uncertainty is twisting in it like a rift.
An absurd world, a human world, a world of humor. An universe of strange beings where man and beast were sometimes merges A world that nobody really believes in, but that must continue to pursue its existence. Condemned to exist. By echoing the complexity of human relationships, by remaining alien to received ideas, the world of Sophie Verger has lost its point of reference.
Sophie Verger plays with the pure reason of the look and lies the opposition of her interpretation.
Beyond anthropomorphism there is also, often, the notion of games. With animal representations worthy of Pompon but going beyond a simple realistic look, Sophie Verger sculpts poems, whole tales in one piece...