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Open a larger version of the following image in a popup: De kleine parelvisserij schattige kikker sculptuurcollectie hedendaagse bronzen dierensculptuur sophie verger art yi kunstgalerij brussel

Sophie Verger French, 1953

La petite pêcheuse de perles / The little pearl fisherwoman, 2022
Bronze
Brown patina with lighter background
24 x 10 x 9 cm
9 1/2 x 4 x 3 1/2 in
Limited edition of 8 plus 4 artist's proofs
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Sophie Verger, La petite pêcheuse de perles / The little pearl fisherwoman, 2022
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  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. De kleine parelvisserij schattige kikker sculptuurcollectie hedendaagse bronzen dierensculptuur sophie verger art yi kunstgalerij brussel
  • La petite pêcheuse de perles / The little pearl fisherwoman
What to put in a frog's leg? Easy for her, freediving champion to indulge in the harvest of freshwater pearls. This sculpture is part of the series on pedestals featuring...
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What to put in a frog's leg? Easy for her, freediving champion to indulge in the harvest of freshwater pearls. This sculpture is part of the series on pedestals featuring the owls


Sophie Verger plays with the pure reason of the look and lies the opposition of her interpretation. She shows here, by these two entities - child / lion - that can ask the question of the reality of the games; is it real or a challenge, a revolt, a test of resistance, a comparison or a disagreement? Finally... all these oppositions were just a step towards learning to resist anything that would never be lived again through the indulgence of childhood. What mattered after all was to have unquestionable support in the face of the adult world because, if we conform to the herd at the expense of our own lives, we completely let go of the child that we are and we will never whole.


She is a fairy who knows how to transform an emotion into an animal, a sensation, a felling in a recollected memory. She also suggests to us with a lot of humor a lovable identification with the animal model and beyond this observation the fact that in all her work, the child alone has its place with her, spontaneously capable of including the existence of the animal in her own fundamental values.


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Provenance

It is a very old story, perhaps a myth, perhaps not, when the earth was a garden where they lived in peace, an era of harmony and of games: the childhood of the world. It was a time when the children of men learned to speak the language of the seal, even before the forces of nature incarnates themselves sometimes in the hippopotamus, sometimes in the crocodile.
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